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       Sweet in tone and full of gentle
        humor, Groundhog Day has only one
        major problem. But it's a doozy.
       The plot requires that Murray's
        character, Pittsburgh weatherman
        Phil Collins, gain self-knowledge
        and become a decent, caring individual.
        The problem is, though, that
        Murray's undeniable comic talents
        are most effective when he's being an
        obnoxious son-of-a-gun.
       This discrepancy between what
        the star does best, and what the
        movie requires of him, makes
        Groundhog Day a disappointment.
        It's quite a shame, too, since the
      story has a really first-class gimmick as its main plot line.       
       Collins
        is in Punxsutanwney, with his producer (MacDowell) and a camera-
        man (Chris Elliot) to see the
        groundhog come out of his burrow
        on Feb. 2.
        But he finds that when it should
    be Feb. 3, it's not.       
       Struck with a monstrous case of deja vu, he relives
      countless Groundhog Day repetitions, with only such variations as he
      himself can contrive.
      And he comes up with some great
      variations. Most of them are presented so that, contrary to expectations, they're entertaining and not at
      all boring.       
       But the problems come up
        after the novelty of his situation
        wears off, and he tires of picking up
        girls, stealing from armored cars,
        and the like. Bill Murray is funny
        doing these things. He's not particularly funny attaining self-enlightenment.
       MacDowell is appealing, if too
        good to be true, as the colleague who
        inspires Phil's transformation. Elliott
        has several good scenes. Fans of his "Get a Life" TV show will enjoy his
        contribution, although his character
        here isn't nearly so weird.
       But ultimately Phil's climb to
          decency takes a terrible toll on the
          movie's pacing. And a poorly-paced
          comedy can be really hard to
          watch.
          We can sometimes handle a slow
          build-up that delivers a brisk pay-off. But the opposite effect is disastrous.      
     February 24, 1993   |